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Though many casual observers tend to generalize the "art" traditional African continent is full of people, societies and civilizations, each with unique visual special culture. The definition also includes the art of the African diaspora, as the art of African-Americans. Despite this diversity, some unifying artistic themes when considering the totality of visual culture the African continent.
* The focus of the human figure: The human figure has always been a question that the main issue for most African art, and this emphasis, even influenced some European traditions. For example, in the fifteenth century, Portugal traded with the Sapi culture near the Ivory Coast in West Africa, which created wineries making salt in ivory, which are hybrids of origin African and European designs, including the addition of the human figure (the human figure in general, there are agitators in Portuguese). Figure may symbolize the human dead or alive, May heads of reference, the dancers and the various trades such as batteries or hunters, May or even be an anthropomorphic god representation or have a votive function other. Another common theme is the inter-morphosis of man and animals.
* Visual abstraction: African artworks tend to favor visual abstraction over naturalistic representation. Because many African art objects generalize the rules of style. Art of ancient Egypt, also considered generally as naturalistic representation, used very abstract and restricted visual canons, especially in painting and using different colors to represent the qualities and features an individual to be represented.
* Linear scale often a small part of African design look more like diamonds in different scales in the pattern of right of Kasai. Louis Senghor, Senegal's first president, referred to as "dynamic symmetry." William Fagg, the British art historian is on the allocation of natural logarithmic growth by the biologist D'Arcy Thompson. More recently it has been described in terms of fractal geometry.
* Emphasis on sculpture: African artists tend to focus on three dimensional art two-dimensional works. Even many African paintings or cloth works were meant to be experienced in three dimensions. House paintings are often regarded as a continuous design wrapped around a house, forcing the viewer to walk to work full use, while using fabrics such as clothing decoration or decoration of the ceremony, transforming the user into a living sculpture.
* Focus on results: An extension of the utilitarianism and three-dimensionality of traditional African art is the fact that much it is designed for use in application context, rather than static images. For example, masks and costumes are often used in the ceremony common contexts where they "danced". Most societies in Africa have names for their masks, but this name only incorporates not only the sculpture, but also the meaning of the mask, the dance associated with it, and the spirits that inhabit the interior. In African thought, the three can not be dissociated.
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Traditional African Art Patterns, Masks, Paintings
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